The pairing’s three releases on Blood are among the most intensely unlistenable offerings ever spewed into the rock underground. Gone for a fleeting three-song moment are the sodomic and anatomical references, replaced by the apt punk strains of “No Rules,” “New York City Tonight” and “Up Against the Wall.” (GG regains his vile composure on “A Fuckup,” but it’s a good-humored rant.) The Jabbers disbanded soon after, but GG reunited with two of them in ’84 for the Live Fast, Die Fast EP.Īfter a brief run as frontman of Manchester, NH’s Cedar Street Sluts, Allin organized the Scumfucs, a trashy trio indeed. #PUNK WARS GG ALLIN PLUS#The former merely consists of three album tracks plus “You Hate Me and I Hate You,” a new cut which sounds like a small-town guesstimate of big-city hardcore. How can a relatively straight song like “Unpredictable” be taken seriously in the vicinity of “Beat, Beat, Beat” and the fatuous “Pussy Summit Meeting”? Allin clinched his commercial fate with unwavering offense, and whatever promise flashed on the first LP faded on subsequent releases.ĭavid Peel’s Orange Records saw fit to add to the GG Allin and the Jabbers library in 1982 and ’83, issuing two 7-inch EPs, Public Animal #1 and No Rules. But Allin has a fatal weakness for extremely vulgar lyrics. A decent though badly produced record, Always Was, Is, and Always Shall Be (which sold like hotcakes in Sweden) mixes a variety of influences - most notably the Stooges and the Dolls, but also 1980-vintage punk and new wave pop - into a fairly appealing rock sound. GG’s long and storied career began in 1978, deep within New Hampshire’s rolling hills, when somebody foolishly fronted this Hookset, NH kook some green to press an LP. His catalogue is a juggernaut of puerile mania, demented concupiscence and Hustler-level humor.Īll moral and artistic judgment aside, Allin is due some credit for managing to do what he did with so much conviction for so long. Allin was a relentlessly obnoxious, coarse and lewd extremist who could send even the most generous-minded liberal over the edge. Until he finally bit the big one on June 29, 1993, this self-immolating jockstrap-clad mace-spraying dung-flinging aberration survived his own berserk reputation (not to mention his recklessly self-destructive instincts) to become the worst nightmare the Dead Boys and Iggy never had. Looking for more bands that practiced what they preached like crass or conflict but American, i like the concept of those crusty motherfuckers but the crust punk thing doesn't really do it for me musically.For better and worse, GG Allin was a legend. Yea jello got into politics, or tried anyway, but who are some other punks that really did fucked up shit backing they're lyrics? That's not rhetorical by the way that's actually the whole point of this post. I get that not every punk wants to more or less live in jail and eat shit every day, but after i watched hated i realized like all these bands say fuck da police and down with social norms and what not, but what did they really dooo. But before i saw that i was totally thinking to myself this guy epitomizes punk in the sense that he did what a lot of punks are scared to do.LITERALLY anything he wanted. I immediately came to this sub and searched gg allin and found a lot of hate, understandably. Never was a big gg fan, but i like one of the albums he did with the jabbers (i think, the one with one man army on it).
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